Tag Archives: Barbican

The Shadow King @ The Barbican Review

This Malthouse Theatre production transports Shakespeare‘s tragedy King Lear to an Aboriginal community in the Northern Territories of Australia. Lear, played by the energetic Tom E. Lewis, who also co-wrote the story together with director Michael Kantor and the cast, is the leader of an indigenous community who decides to divide up his land between his three daughters – land that he has no right to give as Cordelia advises him in the opening scene: “You can’t give what you don’t own.” Written in a mixture of English, Kriol and other indigenous languages, the text is still easy to follow. “A tragedy this milli, our tragedy” explains the Fool (a charismatic Kamahi Djordan King) at the beginning of the performance.

The Shadow King

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Artistic Director and Founder of CASA Festival Daniel Goldman speaks to Theatrefullstop about this year’s event!

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With the theatre scene in the UK, especially London, we are most definitely spoilt for choice. The UK offers a wide range of theatrical genres and festivals for theatre lovers to choose from. This October, both Rich Mix and the Barbican will witness a selection of shows, courtesy of CASA Festival 2015, showing off the theatrical landscape of Southern America. Performances hail from Brazil to Mexico, offering a slice of Latin American culture. Ahead of this year’s festival, Theatrefullstop were lucky enough to speak with Artistic Director and Founder of CASA, Daniel Goldman about how shows are chosen for the festival, the inspiration for CASA’s creation and what events CASA has to offer.

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To Kill A Mockingbird @ The Barbican Theatre Review 

Two years after this production was first staged at Regent’s Park Open Air Theatre, it now returns to the Barbican and I could not be more satisfied that I got the chance to see it this time around. This stage adaptation of Harper Lee’s classic is as important today as ever. Even though nowadays we rarely observe racial injustices like those in our courts of law, it is vital to remember that we once tolerated such bigotry. It is important to reflect how human beings can be so blind into matters of equality and wonder which aspects of today’s society are we being blind to right now?

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32 Rue Vandenbranden @ The Barbican Review

32 Rue Vandenbranden is part of the London International Mime Festival and is a UK Premiere. The production was created by the Belgium company, Peeping Tom, in 2009 and has already received several awards.

32 Rue Vandenbranden

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Dogugaeshi @ The Pit, Barbican (London International Mime Festival) Review

Using a very particular Japanese art of painted screens and puppetry, American puppeteer Basil Twist presents an hour-long piece – Dogugaeshi, as part of the London International Mime Festival. Blending music and art on top of puppet work, Twist effectively makes this style his own, with a seemingly endless amount of hand-painted screens opening and closing, and some modern music thrown in (who knew Ethel Merman’s classic “No Business Like Show Business” had a place within a Japanese puppetry piece?).

Dogugaeshi

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Light @ The Pit, Barbican (London International Mime Festival) Review

In Theatre Ad Infinitum’s production Light they explore the increasingly discussed and frightening idea of utter society control and surveillance. Inspired by Edward Snowden’s revelations that secret services violate our privacy for the greater good, George Mann felt urgent to create this play where control is also initially exerted to increase security with the dream of making the world a better place.

Light

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